First impressions: Canon EOS 7D
Sep 25th, 2009 by Phil Pemberton
I’ve been spending money again. This time I’ve got (another) new camera. Or, as the rest of the family call it, a “money sink”. Bit odd really, they don’t really look that much like sinks… Oh well, on with the show!
So.. first impressions. I’m a 40D user, so I’m used to heavy cameras, but this thing is heavy with a capital H. About as heavy as a one-kilo bag of sugar. With the EF24-105L on there, it’s too heavy to hold one-handed for more than a minute. On the plus side the extra weight means the combination of EF100-400L + 7D isn’t as front-heavy as the same lens with a 40D. As another point of comparison, the combination of a 100-400L on a 450D or 500D (or any “3-digit D” series body for that matter) is just about guaranteed to ruin your wrists. I’ve tried it. It’s not fun.
But anyway, back to the 7D. It’s got plenty of shiny new features, and a few extra buttons to boot. The power switch and main control lock have been split into two controls, and it’s got the 5D-II/500D’s hi-def video recording mode. I still can’t really see the point of video recording on a dSLR, but I suppose it’s nice to have. There’s an extra “M-Fn” button next to the shutter release which seems to be used for very little in the default configuration, but there’s a customisation option which allows you to play with the button mappings (so you can, say, assign AF-lock to the M-Fn button).
The new viewfinder is very spiffy — the extra field of view is noticeable almost at first glance, and the LCD overlay is VERY nice. A bit like the LCD viewfinder on the Nikon D90, but done in a slightly different way. I love the viewfinder grid display — I’ve been meaning to buy a rule-of-thirds focus screen for my 40D, but never got round to it; the VF Grid Display option on the 7D means that’s no longer necessary (in the meantime, I’ve been working on the basis that the gaps between some of the rows of AF points is roughly on a thirds-line). I can also see the grid being very useful for helping to get horizons and so on level (I’m a horrible judge of the “levelness” of horizons!)
Autofocus has been totally redone as well, 19 AF points in the traditional Canon “diamond” pattern, split into 5 separate AF zones. As far as AF options go, you can pick a single AF point to focus on (Single and Spot AF — Spot only uses the centre of the focus point, Single uses the whole thing), a group of 5 in a “+” pattern (AF Point Expansion), or a zone (a group of focus points; there are five of these — left, right, top, bottom and centre). It still has the usual three AF modes — One Shot, AI Focus (tracking from when the subject starts to move) and AI Servo (always-on tracking). Lastly, it also has the AF Microadjustment feature that has become standard on mid-range to high-end Canon dSLR bodies.
One interesting feature is the “electronic level” — this is effectively a 2-axis (left/right and forward/back) digital spirit level, built into the camera itself. I’m not quite sure why I’d use this when my tripod has a perfectly good spirit level, although I guess the one on the camera might be easier to see (and maybe more accurate?)
I’m a bit surprised about the built-in flash, given that the 7D is a single-digit D-series body. It is, however, very nice to see a camera with a built-in Speedlite flash R/C transmitter — one less thing that needs to be kept in the camera bag, and also one less thing to buy batteries for! (Although, that said, I don’t actually have a Speedlite transmitter — the £100 I would have ended up spending on one has been spent on a spare battery for the 7D, and the remains have been put in the “buy a BG-E7 grip for the 7D fund”!
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The Quick Control menu is very nice too — I can see it being useful for dealing with those inevitable “temporary lapses of memory”, also known as “now-which-control-does-that-itis”
Once again, the standard features are there — Speedlite Control (a FAR easier way to set up camera flashes than thumbing through the manuals to find out what C-Fn 22 is on a 580EX, then realising it’s different on another flashgun), the customisable My Menu (very handy!), and a few other things I’ve forgotten at the moment…
I think that more or less covers the main improvements.. Obviously the sensor has been improved — it’s now an 18MPix CMOS sensor, with Canon’s trademark microlens technology tagged on. The image processing is done by a pair of Canon’s own Digic4 chips, and the back display is a bit bigger and higher-resolution than on past Canon dSLRs.
Right, that’s enough of the good, now on to the bad…
The battery grip isn’t available yet (“preorder now, we don’t have a clue when it’s going to be released, but it’s sure to be in high demand!”). This is somewhat annoying because my hand-strap (Canon HS-E1) attaches to the metal bar on the bottom of the battery grip…
It would be nice to be able to make the RAW+JPEG button switch between RAW and JPEG (or RAW and one of the sRAW/mRAW modes) instead of switching both on for the next shot. I’d rather like to leave the camera in RAW or mRAW mode, then use that button to switch to a higher or lower resolution RAW mode (or maybe the JPEG mode) as needed.
Really, that’s it.. If I’m being pedantic it’s too heavy to hold without some form of camera strap or tripod (or Robocop’s hands!) — thankfully the shoulder strap is a standard item (it’s just a shame the HS-E1 hand strap and some form of attachment clip aren’t bundled as well — IMHO they should be, even with the 18-200 kit).
I’ll upload some photos as soon as I can coax the chinchillas out of the cage. I suspect I might have to bribe at least one of them with sugary treats…
Thanks for the first impression writeup. I’m sure you wanted to put out something quickly so I’m certain you meant 500D re: HD video. Waiting for sample images. Much oblige.
Yep, you’re exactly right — I thought the 50D had the HD video feature, but Wiki says that the 5D-II, 7D and 500D are the only HD-video capable Canon dSLRs.
In any case, I’ve fixed the cock-up — thanks for letting me know.
Thanks so much for telling us your valuable first hand impressions.
Re: “I still can’t really see the point of video recording on a dSLR, but I suppose it’s nice to have. “
I am actually more of a “videographer” and I’ve been salivating on 7D just because it’s (manual aperture controlled) 30 frps 1080p HD video capacity. 7D seems to record with h264 codec in mp4/mov wrapper, which makes the footage much easier to bring into pro editing softwares. The thing is that, combined with the advantage of interchangeable lens (read; “the option to use a decent wide angle lens”), with such frame rate, resolution and codec, I would assume the apsc size sensor will give much better pictures than high end pro hd video cameras, which cost 2-3 times higher. It doesn’t offer professional controls over sound recording, but that’s the only reason I’m not gonna get rid of my HD video camera entirely
The handling of the camera is a problem/disadvantage, since this one seems to be heavy, and holding a video camera stable requires a different kind of handling, but I think one can easily resolve that issue practically by using one of those small handheld camera stabilizers, or with a monopod –which I often use for video anyways.
And, actually I am not the only person interested in 7D for video; if you check the video scene you’ll see a lot of people getting into shooting video with DSRL’s:
http://www.dvinfo.net/article/acquisition/canon-eos#
My concern though, is the rolling shutter distortion. Regarding 500D, DPreview notes that: “Like the Nikon D90 and the EOS 5D Mark II the EOS 500D can suffer from distortion caused by its rolling shutter. The readout of the sensor means movies are created with a rolling shutter (horizontal lines of the image are scanned, one after another, rather than the whole scene being grabbed in one go). The upshot is that verticals can be skewed if the camera (or the subject) moves too fast – the top of the image has been recorded earlier than the bottom, so moving vertical lines can be rendered as diagonals.”
I assume the same rolling shutter distortion would apply to 7D as well (DPreview does not mention about this in their review of 7D). Would you be curious to test it, and let us know? One curious thing about this “rolling shutter distortion” is, how it effects the picture in different shutter settings –does it happen in 1/500 as visible as it is in 1/30?
Hey Phil,
Just came across your blog while looking up what an HS-E1 was after seeing it in your equipment list on CFF.
The M-fn button is used for switching between your AF modes (spot, af point, zone etc), but I am sure you know that by now
I find it a little tricky to reach but I am sure I will get used to changing it in a hurry.
Strange you have such issues with the weight. I don’t have any issue hand holding it really and I don’t have robot hands!